Friday, December 19, 2014

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Tuiste ARTIKELS Jaybee Roux: Die verskil tussen die romanse en die liefdesroman Linelle Venter: mokona bialetti Beplanning vir ‘n romanse Madelie Human: Lokval vir ‘n Leser Marile Cloete: Wat maak van ‘n goeie skrywer ‘n uitstekende skrywer? Meer oor die verskille tussen die liefdesroman en romanse Onderhoud met ‘n tydskrif oor die skryf van romanses Rykie Roux: Te veel karakters mokona bialetti Boeke oor skryf Dagboek van ‘n romanseskrywer GESELS Hoe skryf mens? SKRYFSKOLE: ATKV Skryfskool e-Poskursus in die skryf van Romanses Skryfwenke
Many great writers have found creative comfort while sitting at a desk. (Charles Dickens mokona bialetti was so attached to his that he had its contents mokona bialetti shipped to his vacation home.) But a surprising number of literary luminaries have ventured beyond the traditional perch to create their ideal writing spots, whether that meant stepping into a bathtub or trekking into the wilderness. Here are 13 of the most memorable.
Every weekday, Wallace Stevens walked 2.5 miles to the offices of the Hartford Accident and Indemnity Co., where he served as vice president. Between his doorstep and the office door, Stevens composed poetry. He observed, mokona bialetti “I mokona bialetti write best when I can concentrate, and do that best while walking.”
A 90-minute commute is a painfully tedious necessity for many people, but for John le Carré it was an uninterrupted opportunity to write. As an MI5 officer, le Carré spent his long train rides from Buckinghamshire to London penning mokona bialetti his debut novel, Call for the Dead . Le Carré quipped, “The line has since been electrified, which is a great loss to literature.”
Sir Walter Scott crafted “Marmion,” his bestselling epic poem, on horseback, in the undulating hills near Edinburgh, Scotland. Though one might assume a leisurely pace is necessary for creative concentration atop a horse, Scott preferred to contemplate the lines of the poem at a faster mokona bialetti clip. “I had many a grand gallop among these braes when I was thinking of ‘Marmion’,” he recalled.
Gertrude Stein discovered that the driver’s seat of her Model T Ford was a perfect place to write. Shopping expeditions around Paris were particularly productive for the writer. While her partner, Alice B. Toklas mokona bialetti , ran errands, Stein would stay in their parked car and write.
D.H. Lawrence preferred to write outdoors, beneath mokona bialetti the shade of a tree. He found a trunk to lean against wherever he went, from pine trees in New Mexico to great firs in Germany’s Black Forest. Discussing his predilection, Lawrence noted, mokona bialetti “The trees are like living company.”
In 1917, Virginia Woolf and her husband, Leonard, started a small publishing company in their basement. Despite the new venture, Woolf did not give up writing. Every morning she walked down to the basement, and strode past the printing press and into a storage room with a cozy old armchair. Her pen would fly while the press whirred in the next room.
Agatha Christie had two important demands for the renovation of her mansion. She informed mokona bialetti her architect, “I want a big bath, and I need a ledge because I like to eat apples.” Christie constructed her plots in a large Victorian tub, one bite at a time.
Instead of hopping in an actual tub, every morning Benjamin mokona bialetti Franklin took what he called “tonic baths” in the open air of his bedroom-he’d shed his clothes and work naked, for up to an hour …
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Hierdie is 'n bymekaarkomplek vir skrywers en voornemende skrywers om te gesels oor skryf en skryfdinge. Gevestigde skrywers van romanses en liefdesromans deel graag hul entoesiasme mokona bialetti en ervaring met ander. Beginnerskrywers is welkom om vrae te vra oor die skryf van liefdesverhale. Ons sal dit so gou moontlik beantwoord. mokona bialetti Onthou, dit sal lyk asof jou eerste kommentaar 'verdwyn', maar dis slegs totdat jy as gebruiker van die blog aanvaar is. JY IS WELKOM OM OP ENIGE PLEK KOMMENTAAR TE LEWER OF 'N VRAAG TE VRA. BLADSYE ARTIKELS Jaybee Roux: Die verskil tussen die romanse en die liefdesroman Linelle Venter: Beplanning vir ‘n romanse Madelie Human: Lokval vir ‘n Leser Marile Cloete: Wat maak van ‘n goeie skrywer ‘n uitstekende skrywer? Meer oor die verskille tussen mokona bialetti die liefdesroman en romanse Onderhoud met ‘n tydskrif oor die skryf van romanses Rykie Roux: Te veel karakters Boeke oor skryf Dagboek van ‘n romanseskrywer mokona bialetti GESELS Hoe skryf mens? SKRYFSKOLE: ATKV Skryfskool e-Poskursus in die skryf van Romanses Skryfwenke ARGIEWE Desember 2014  (4) November 2014  (2) Oktober 2014  (2) September 2014  (2) Augustus 2014  (2) Julie 2014  (2) Mei 2014  (2) April 2014  (5) Maart 2014  (2) Januarie 2014  (4) No

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